Riva G, Mantovani F, Capideville CS, Preziosa A, Morganti F, Villani D, Gaggioli A, Rotella C, Alcaniz M.
Cyberpsychology & Behavior, 10, 45-56
Many studies showed the ability of movies and imagery techniques to elicit emotions. Nevertheless, it is less clear how to manipulate the content of interactive media to induce specific emotional responses. In particular, this is true for the emerging medium virtual reality (VR), whose main feature is the ability to induce a feeling of "presence" in the computer-generated world experienced by the user. The main goal of this study was to analyze the possible use of VR as an affective medium. Within this general goal, the study also analyzed the relationship between presence and emotions. The results confirmed the efficacy of VR as affective medium: the interaction with "anxious" and "relaxing" virtual environments produced anxiety and relaxation. The data also showed a circular interaction between presence and emotions: on one side, the feeling of presence was greater in the "emotional" environments; on the other side, the emotional state was influenced by the level of presence. The significance of these results for the assessment of affective interaction is discussed.
Friday, February 23, 2007
Friday, February 16, 2007
ARTICLE UPDATE - A functional MRI study of happy and sad affective states induced by classical musi
Martina T. Mitterschiffthaler , Cynthia H.Y. Fu, Jeffrey A. Dalton , Christopher M. Andrew , Steven C.R. Williams
Human Brain Mapping, in press
The present study investigated the functional neuroanatomy of transient mood changes in response to Western classical music. In a pilot experiment, 53 healthy volunteers (mean age: 32.0; SD = 9.6) evaluated their emotional responses to 60 classical musical pieces using a visual analogue scale (VAS) ranging from 0 (sad) through 50 (neutral) to 100 (happy). Twenty pieces were found to accurately induce the intended emotional states with good reliability, consisting of 5 happy, 5 sad, and 10 emotionally unevocative, neutral musical pieces. In a subsequent functional magnetic resonance imaging (fMRI) study, the blood oxygenation level dependent (BOLD) signal contrast was measured in response to the mood state induced by each musical stimulus in a separate group of 16 healthy participants (mean age: 29.5; SD = 5.5). Mood state ratings during scanning were made by a VAS, which confirmed the emotional valence of the selected stimuli. Increased BOLD signal contrast during presentation of happy music was found in the ventral and dorsal striatum, anterior cingulate, parahippocampal gyrus, and auditory association areas. With sad music, increased BOLD signal responses were noted in the hippocampus/amygdala and auditory association areas. Presentation of neutral music was associated with increased BOLD signal responses in the insula and auditory association areas. Our findings suggest that an emotion processing network in response to music integrates the ventral and dorsal striatum, areas involved in reward experience and movement; the anterior cingulate, which is important for targeting attention; and medial temporal areas, traditionally found in the appraisal and processing of emotions. Hum Brain Mapp 2007. © 2006 Wiley-Liss, Inc.
Human Brain Mapping, in press
The present study investigated the functional neuroanatomy of transient mood changes in response to Western classical music. In a pilot experiment, 53 healthy volunteers (mean age: 32.0; SD = 9.6) evaluated their emotional responses to 60 classical musical pieces using a visual analogue scale (VAS) ranging from 0 (sad) through 50 (neutral) to 100 (happy). Twenty pieces were found to accurately induce the intended emotional states with good reliability, consisting of 5 happy, 5 sad, and 10 emotionally unevocative, neutral musical pieces. In a subsequent functional magnetic resonance imaging (fMRI) study, the blood oxygenation level dependent (BOLD) signal contrast was measured in response to the mood state induced by each musical stimulus in a separate group of 16 healthy participants (mean age: 29.5; SD = 5.5). Mood state ratings during scanning were made by a VAS, which confirmed the emotional valence of the selected stimuli. Increased BOLD signal contrast during presentation of happy music was found in the ventral and dorsal striatum, anterior cingulate, parahippocampal gyrus, and auditory association areas. With sad music, increased BOLD signal responses were noted in the hippocampus/amygdala and auditory association areas. Presentation of neutral music was associated with increased BOLD signal responses in the insula and auditory association areas. Our findings suggest that an emotion processing network in response to music integrates the ventral and dorsal striatum, areas involved in reward experience and movement; the anterior cingulate, which is important for targeting attention; and medial temporal areas, traditionally found in the appraisal and processing of emotions. Hum Brain Mapp 2007. © 2006 Wiley-Liss, Inc.
Friday, February 09, 2007
ARTICLE UPDATE - Affective visual event-related potentials: Arousal, repetition, and time-on-task.
Jonas K. Olofsson and John Polich
Biological Psychology, in press
Affective stimulus pictures that differed in valence (unpleasant, neutral, and pleasant) were repeated as targets in an oddball task to elicit event-related potentials (ERPs) in young female adults. Each picture target was repeated consecutively four times, with picture order counterbalanced and time-on-task influences assessed across subjects. Response time decreased from the first to second stimulus presentation and remained stable. Stimulus repetition was associated with voltage increases for N1, P2, N2, and P3, from initial to subsequent presentations. Arousal effects did not interact with stimulus repetition at any latency range. Time-on-task was associated with decreased voltages for the N2 and P3 potentials but was unaffected by stimulus valence. The findings suggest affective arousal, stimulus repetition, and time-on-task independently modulate ERP outcomes at overlapping time ranges. Theoretical implications are discussed.
Biological Psychology, in press
Affective stimulus pictures that differed in valence (unpleasant, neutral, and pleasant) were repeated as targets in an oddball task to elicit event-related potentials (ERPs) in young female adults. Each picture target was repeated consecutively four times, with picture order counterbalanced and time-on-task influences assessed across subjects. Response time decreased from the first to second stimulus presentation and remained stable. Stimulus repetition was associated with voltage increases for N1, P2, N2, and P3, from initial to subsequent presentations. Arousal effects did not interact with stimulus repetition at any latency range. Time-on-task was associated with decreased voltages for the N2 and P3 potentials but was unaffected by stimulus valence. The findings suggest affective arousal, stimulus repetition, and time-on-task independently modulate ERP outcomes at overlapping time ranges. Theoretical implications are discussed.
Friday, February 02, 2007
ARTICLE UPDATE - Selective Visual Attention to Emotion
Harald T. Schupp, Jessica Stockburger, Maurizio Codispoti, Markus Junghöfer, Almut I. Weike, and Alfons O. Hamm
The Journal of Neuroscience, 27, 1082-1089
Visual attention can be voluntarily directed toward stimuli and is attracted by stimuli that are emotionally significant. The present study explored the case when both processes coincide and attention is directed to emotional stimuli. Participants viewed a rapid and continuous stream of high-arousing erotica and mutilation stimuli as well as low-arousing control images. Each of the three stimulus categories served in separate runs as target or nontarget category. Event-related brain potential measures revealed that the interaction of attention and emotion varied for specific processing stages. The effects of attention and emotional significance operated additively during perceptual encoding indexed by negative-going potentials over posterior regions (~200–350 ms after stimulus onset). In contrast, thought to reflect the process of stimulus evaluation, P3 target effects (~400–600 ms after stimulus onset) were markedly augmented when erotica and mutilation compared with control stimuli were the focus of attention. Thus, emotion potentiated attention effects specifically during later stages of processing. These findings suggest to specify the interaction of attention and emotion in distinct processing stages.
The Journal of Neuroscience, 27, 1082-1089
Visual attention can be voluntarily directed toward stimuli and is attracted by stimuli that are emotionally significant. The present study explored the case when both processes coincide and attention is directed to emotional stimuli. Participants viewed a rapid and continuous stream of high-arousing erotica and mutilation stimuli as well as low-arousing control images. Each of the three stimulus categories served in separate runs as target or nontarget category. Event-related brain potential measures revealed that the interaction of attention and emotion varied for specific processing stages. The effects of attention and emotional significance operated additively during perceptual encoding indexed by negative-going potentials over posterior regions (~200–350 ms after stimulus onset). In contrast, thought to reflect the process of stimulus evaluation, P3 target effects (~400–600 ms after stimulus onset) were markedly augmented when erotica and mutilation compared with control stimuli were the focus of attention. Thus, emotion potentiated attention effects specifically during later stages of processing. These findings suggest to specify the interaction of attention and emotion in distinct processing stages.
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